Showing posts with label Brad Pitt. Show all posts
Showing posts with label Brad Pitt. Show all posts

Friday, September 23, 2016

FBI says it’s evaluating abuse allegations against Pitt


LOS ANGELES — The FBI says it’s gathering information about an incident involving Brad Pitt and his family aboard a private flight last week.

Spokeswoman Laura Eimiller said in a statement late Thursday that the agency is still evaluating whether to open its own investigation into allegations Pitt was abusive during the flight toward one of his six children with actress Angelina Jolie Pitt.

Several media outlets, using anonymous sources, have reported that the actor is under investigation by a child welfare agency because of the incident. The Los Angeles County Department of Children and Families refused to say whether it was investigating Pitt.

Messages left for Pitt’s representatives were not immediately returned.

Jolie Pitt filed for divorce Monday, saying she came to the decision “for the health of the family.”

source: entertainment.inquirer.net

Wednesday, September 21, 2016

2016: The year love died in Hollywood


LOS ANGELES, United States — The imminent divorce of “Brangelina” is the latest in a series of celebrity splits giving the impression that the average Hollywood marriage has about as much chance of success as a non-white actor at the Oscars.

Brad Pitt and Angelina Jolie-Pitt have both been through divorces before, he with “Friends” star Jennifer Aniston and she with actors Jonny Lee Miller and Billy Bob Thornton.

This year has also seen Gwyneth Paltrow and Chris Martin finalize their famous “conscious uncoupling” around the same time that Johnny Depp and Amber Heard were squabbling over the terms of their split.

Drew Barrymore, Lisa Marie Presley, Dennis Quaid and James McAvoy have announced divorces from their respective partners too, sparking some gossip websites to refer to 2016 as the year of the Hollywood divorce.

In 2012 statistics website PolitiFact estimated that the lifelong probability of an American marriage ending in divorce was 40–50 percent, citing academics and the National Survey of Family Growth.

Kelly Frawley, a partner at New York law firm Kasowitz, Benson, Torres and Friedman, believes that while there is no reason to think the rich and famous split more often than the rest of us, the pressures which put strain on relationships are amplified in the rarified air of Tinseltown.

“There are standard things that cause marriages to disintegrate — concerns about money, fights about how to raise the children, issues of fidelity,” she told AFP.

“Those are much bigger scale when you are dealing with a celebrity couple because there’s so much accessibility to all the things that make it easy to step out of a marriage.

“You can spend money with ease, you can leave with ease, you can have affairs with ease.”

‘Unique microscope’

It’s not all doom and gloom. Denzel and Pauletta Washington have been going strong since 1983 while Billy Crystal, Christopher Walken and their respective sweethearts expect to celebrate golden wedding anniversaries before the end of the decade.

But unlike skin peels, kale and the 5:2 diet, divorce is one celebrity fad that has endured through the ages and the Hollywood hills are littered with the carcasses of euthanized showbiz marriages.

Among the high profile casualties are Ben Affleck and Jennifer Garner, who announced on June 30 2015, one day after their ten-year anniversary, that they were calling it a day.

Tom Cruise was on his third marriage by the time he and Katie Holmes split in 2012 and there were divorces in 2010 for Ryan Reynolds and Scarlett Johansson, and Elizabeth Hurley and Arun Nayar.

“Celebrities are under a unique microscope, where every nuance is dissected over and over again the slightest misunderstanding is reported like you’re splitting up right away,” said Judi Bloom, a licensed marriage and family therapist based in Southern California.

“That can really wear down a couple in the end.”

One big problem for Hollywood couples, she told AFP, is that they spend so much time apart on their separate projects, which can “pull at the fabric of a relationship.”

Some avoid growing apart by continuing to work together after getting hitched.

Warren Beatty and Annette Bening began dating during the filming of “Bugsy” in 1991, married a year later and filmed “Love Affair” together in 1994.

Breathing space


Will Smith and Jada Pinkett are still together a quarter century after meeting on the set of his sitcom “The Fresh Prince of Bel Air” when she auditioned to play his girlfriend.

She didn’t get the part but she got Smith — marrying the actor in 1997 and appearing alongside him in 2001 biopic “Ali.”

It doesn’t always work, of course.

Helena Bonham Carter and Tim Burton have joined forces for no fewer than seven films but called it a day after 13 years, an unlucky number which was also the length of the marriage of Woody Allen and Mia Farrow, and the number of his films in which she appeared.

Rob Shuter, a former Hollywood publicist for Jennifer Lopez, Jessica Simpson and others who now runs NaughtyGossip.com, told AFP celebrities and their representatives plan divorce announcements down to the most minute detail.

“The announcement about Brad and Angie came out one day after the weekly magazines went to print, which means that they get a week of breathing space,” he said.

Shuter says that while print is less important in the digital age than it used to be, the timing was still “a disaster” for People, which has the largest audience of any American magazine, and its rival Us Weekly.

He believes Pitt would have been the more passive partner in planning their divorce announcement because of Jolie-Pitt’s track record with carefully stage-managing the news cycle.

“When she was pregnant with Shiloh she didn’t make the announcement with an official statement, she walked around the corner and let her bump show for ‘People’ magazine,” he said.

source: entertainment.inquirer.net

Sunday, October 23, 2011

Costume National: Essential, edgy chic, rock & roll

MANILA, Philippines - Brad Pitt loves it. And so do Keanu Reeves, Jude Law and Lenny Kravitz.

They all wear Costume National, an avant-garde line which has been defined as edgy chic, a blend of minimalism and rock ‘n’ roll with a very iconic, slim and sensual silhouette.

Costume National is recognized for its excellent “value for price” ratio. The clientele is modern, dynamic, often characterized by a well-informed background. The Costume National lifestyle is shaped by a modern and international calling.

Ennio Capasa, Costume National’s designer, was born in Lecce in the Apulia region of Italy.

In 1982 Capasa completed his studies at Milan’s Belle Arti Academy, obtaining his degree with a thesis on Russian constructivism. His fascination with design in its most pure and essential nature led him to move to Japan where he lived for three years working as an assistant for Yohji Yamamoto. In 1986 on his return to Italy, he founded Costume National with his brother Carlo. The name of the maison was inspired by a book on French uniforms.

The line evolved while keeping true to the core inspiration: the rock ‘n’ roll of the ’70s — revisited in campaigns starring the children of rock — filtered by the concept of tailoring, which remains crucial for Capasa. In order to maintain this delicate balance — which over the years has developed into an instantly recognizable aesthetics — the designer has delved into technological minimalism with laser-cut fabrics, Pantone colors and futuristic silhouettes.

However, there are no signs of excessive abstraction. According to Capasa, one of the cardinal rules of fashion is that it should maintain a dialogue with the person who wears it — that it should change according to the needs and desires of the individuals who make a piece of the collection their own. Thus a garment relives, thanks to the person who wears it. “Fashion is a form of pleasure, it seduces the self and others,” states the designer. This fashion is more centered on the dialogue with the wearer than on a narcissistic monologue.

“I believe that my aim or ambition has always been creating a style, an aesthetic point of view. Traditional tailoring and research merge with the rebellious core that lies at the heart of the creative spirit. This is a collection that needs to be touched. The experimentation is never-ending: clean cuts, jackets without seams are assembled by a laser technique, knit becomes one with the fabric. I worked on many different possibilities of a synthesis between formal and sportswear, eliminating shirts and ties in the name of a creative rebellion,” says Capasa.

The new men’s winter collection abandons ties and shirts — the traditions of tailoring — integrating new creative structures into this wardrobe.

A dip into a delicate world that fits the undisputable element of post-punk, perfectly. Adherent, second skin pants reinterpret the miniature camouflage designs, and combat design almost demands a powerful tank in order to conquer quotidian life. A sort of neo-formal freedom emerges from the energy of the early days: the first blazer worn casually, spontaneously; the Parka as a cult object — but this time in high-tech, colored shiny fabrics; pants that belong to the dynamism of street culture.

Memories and borrowed elements come from the ’80s, from the New Wave style – which stole the element of non-color from punk, while re-appropriating its clean forms, void of details, stitching and shaping.

In Manila, Costume National is now available only at Adora, 2/F Greenbelt 5, Ayala Center, Makati City. Tel. 217-4029.

Article Source: http://www.philstar.com/Article.aspx?articleId=740263&publicationSubCategoryId=86