Showing posts with label Advertisers. Show all posts
Showing posts with label Advertisers. Show all posts

Friday, October 8, 2021

Google to stop pairing ads with climate change misinformation

SAN FRANCISCO, United States - Google on Thursday said it will no longer post ads next to misinformation about climate change on its search engine or on global video-sharing platform YouTube.

The new policy for Google advertisers, publishers and YouTube creators will prohibit the platforms from helping people make money from content that "contradicts well-established scientific consensus around the existence and causes of climate change."

That includes online content referring to climate change as a hoax or a scam, or denying the world's temperature is rising and that human activity is contributing to the problem, Google said in a post.

"Advertisers simply don’t want their ads to appear next to this content," Google said.

"And publishers and creators don’t want ads promoting these claims to appear on their pages or videos."

The internet giant added that the policy change aligns with efforts by the company to promote sustainable practices and confront climate change.

"Google's important decision to demonetize climate misinformation could turn the tide on the climate denial economy," said NGO Avaaz campaign director Fadi Quran.

"For years, climate misinformers have confused public opinion and obstructed urgent political action on climate change, and YouTube has been one of their weapons of choice."

Quran urged other online platforms to follow Google's lead and stop funneling money to those peddling debunked denials of climate change.

Social networking colossus Facebook, which is Google's biggest competitor in the digital advertising market, touts efforts to curb climate misinformation at its platform but has no such ad ban in place.

Social media platforms are regularly accused of promoting content that provokes strong emotional responses in order to keep users engaged so the platforms can make more money made from ads, even if the content can cause harm.

Agence France-Presse

Monday, February 6, 2017

Super Bowl ads go political in a big way


NEW YORK — Messages about America, inclusiveness — and, yes, even “four years of awful hair” — kept bubbling up in Super Bowl 51 ads from Airbnb, the NFL and a line of personal care products. But there was still plenty of escapism and light humor for those who weren’t into the politics.

As the New England Patriots edged out the Atlanta Falcons on the field in Houston, Airbnb touted inclusiveness with an ad showing faces of different ethnicities and the copy: “We all belong. The world is more beautiful the more you accept.” Coca-Cola aired a previously run ad during the pregame show in which people sing “America the Beautiful” in different languages. Even a hair care brand dipped into politics: The “It’s a 10″ hair brand indirectly referenced President Donald Trump’s famously unruly do in its Super Bowl spot.

It’s tough to be a Super Bowl advertiser, period. But this year, a divisive political climate has roiled the nation since Trump took office in January, making it even tougher for advertisers.

Advertisers who paid $5 million for 30 seconds had to walk the line with ads that appealed to everyone and didn’t offend. Some were more successful than others.

“Anxiety and politics just loom over this game, so anybody who gives us the blessed relief of entertaining with a real Super Bowl commercial wins,” said Mark DiMassimo, CEO of the ad agency DiMassimo Goldstein.

Several ads aimed for just that. Tide, for instance, offered a humorous ad showing announcer Terry Bradshaw trying frantically to remedy a stain while his antics go “viral” online, with the help of New England Patriot Rob Gronkowski and actor Jeffrey Tambor.

WALKING THE POLITICAL LINE

“Brands used to worry about whether their ad could be interpreted as right or wrong,” said Kelly O’Keefe, a marketing professor at Virginia Commonwealth University. “Now they have to worry about whether it will be interpreted as right or left.”

Plenty of ads walked that line.

An NFL spot conveyed what all advertisers hope the Super Bowl becomes: a place where Americans can come together. “Inside these lines, we may have our differences, but recognize there’s more that unites us,” Forest Whitaker intoned in a voiceover as workers prepped a football field and gridiron scenes played.

“The Super Bowl is shaping up as a counterpoint to the divisiveness in the United States,” said Tim Calkins, a marketing professor at Northwestern University.

Airbnb’s ad was one of the more overtly political, showing a variety of different faces with the tagline “We accept.”

Some thought the ad was a hit. “Kudos to them for making a strong statement,” said O’Keefe. But others, such as Villanova University marketing professor Charles Taylor, thought it didn’t have a clear enough link to the brand and risked coming off as a “purely political statement.”

Some advertisers took the safest route possible by re-airing ads they’ve used before — an unusual, though not unprecedented, move. Coca-Cola, Google and Fiji water all aired rerun ads.

During the pre-game show, Coca-Cola ran “It’s Beautiful,” an ad featuring people around the country drinking the fizzy beverage and singing “America the Beautiful” in different languages.

SURPRISES

A debut Super Bowl spot by the “It’s a 10″ hair care brand introduced its line of men’s products by joking about Donald Trump’s hair.

“America, we’re in for four years of awful hair, so it’s up to you to do your part by making up for it with great hair,” went a voiceover state as black-and-white photos of people with a wide array of hairstyles flashed by. “Do your part. … Let’s make sure these next four years are ‘It’s a 10.'”

Snickers got press by airing a live ad In the third quarter. On a Wild West set, actor Adam Driver seemed not to know the ad was live — and then the set fell apart (on purpose). “You ruin live Super Bowl commercials when you’re hungry,” the ad’s tagline read.

“It went by so fast, I almost missed it,” DiMassimo said. “Not sure it was worth the trouble of doing it live.”

LIGHT HUMOR PLUS CELEBS

Ads with light humor and stuffed with celebrities were popular. Honda’s ad made a splash by animating the yearbook photos of nine celebrities ranging from Tina Fey to Viola Davis. They make fun of their photos — Jimmy Kimmel is dressed in a blue tux and holding a clarinet, for example — and talk about “The Power of Dreams,” Honda’s ad slogan.

“It was a really good message and it was entertaining,” said Mirta Desir, a New Orleans native who works in education and was watching the game on Long Island.

The Tide ad with Terry Bradshaw was a hit with some viewers because of the way it tricked viewers into thinking it was part of the broadcast. “It made you think twice,” said Pablo Rochat, watching in Atlanta. “There was funny dialogue and good storytelling.”

T-Mobile’s spots — which featured Justin Bieber and Rob Gronkowski dancing , Kristen Schaal in a “50 Shades of Grey” parody and Martha Stewart and Snoop Dogg mixing talk about T-Mobile’s unlimited data plan with innuendo about Snoop’s marijuana habit, won raves from some — as did an ad from antioxidant drink maker Bai featuring Justin Timberlake and Christopher Walken.

source: sports.inquirer.net

Saturday, November 2, 2013

Instagram starts showing ads


SAN FRANCISCO—Instagram began displaying ads Friday, as Facebook moved to start making money from the smartphone photo sharing service it bought in a billion-dollar deal last year.

The first ad to pop up was a sponsored photo of a Michael Kors ladies’ watch, artfully displayed on a table set elegantly for coffee and biscuits.

The caption read “Pampered in Paris.”

“Michael Kors ran the first ad on Instagram this morning, targeting women in the US in a certain age range,” Instagram said in reply to an AFP inquiry.

The image had garnered more than 181,000 “likes” by late Friday, along with some bitter remarks from Instagram users.

US Instagram users will see the ad even if they aren’t followers of the Michael Kors brand at the service.

Instagram has about 150 million active users, Facebook executives said in a conference call on Wednesday to discuss earnings in the recently-ended quarter.

Facebook is carefully adding magazine-quality photo ads to Instagram as it hopes to bring in revenue from the service without alienating users.

Instagram said its opening roster of advertisers included Adidas, Lexus, PayPal, Burberry and Ben & Jerry’s ice cream.

Facebook on Wednesday reported stellar quarterly earnings results, but told analysts that internal metrics indicated that teenagers may be falling out of love with the social network.

The world’s leading online social network reported profit of $425 million in the quarter that ended on September 30, compared with a loss a year earlier.

The earnings figures showed soaring advertising revenue, nearly half of it from smartphones or tablet computers.

The third quarter results for the California-based firm were well ahead of most forecasts, with revenues rising sharply to $2.016 billion.

source: technology.inquirer.net

Thursday, September 5, 2013

Facebook in fresh privacy row with new policy


WASHINGTON – Facebook is drawing fire from privacy activists again, after unveiling a new policy which could turn users’ data and pictures into advertising.

The new plan would “dramatically expand the use of personal information for advertising purposes,” said a letter this week to the US Federal Trade Commission by six privacy organizations.

The letter said the changes violate a 2011 consent order with the US watchdog agency and urged the FTC to “act to enforce its order.”

If the changes take effect, the letter said, “Facebook users who reasonably believed that their images and content would not be used for commercial purposes without their consent will now find their pictures showing up on the pages of their friends endorsing the products of Facebook’s advertisers.”

“Remarkably, their images could even be used by Facebook to endorse products that the user does not like or even use,” added the letter from the Electronic Privacy Information Center, Center for Digital Democracy, Consumer Watchdog and three other groups.

Facebook unveiled the changes as part of a settlement of a class action suit over the use of user names and images in so-called “sponsored stories.”

According to the letter, Facebook’s existing policy allowed its users to limit how their name and profile picture may be associated with advertising.

Under the newly proposed policy, Facebook says, “You give us permission to use your name, profile picture, content, and information in connection with commercial, sponsored, or related content.”

Activists said this allowed Facebook to turn virtually all user data into advertising.

“Facebook has long played fast and loose with users’ data and relied on complex privacy settings to confuse its users, but these proposed changes go well beyond that,” said John Simpson, Consumer Watchdog’s privacy director.

“Facebook’s overreach violates the FTC consent order that was put in place after the last major privacy violation; if the commission is to retain any of its credibility, it must act immediately to enforce that order.”

Also endorsing the letter were the Privacy Rights Clearinghouse, US PIRG and Patient Privacy Rights.

Facebook officials pointed out that its policies were not changed, but clarified under the new language.

“As part of this proposed update, we revised our explanation of how things like your name, profile picture and content may be used in connection with ads or commercial content to make it clear that you are granting Facebook permission for this use when you use our services,” a company spokesperson said.

“We have not changed our ads practices or policies – we only made things clearer for people who use our service.”

source: technology.inquirer.net

Friday, May 3, 2013

YouTube says the battle with TV is already over


NEW YORK—YouTube vs. TV? YouTube says the battle — if there ever was one — is over.

In a flashy presentation to advertisers Wednesday night, Google Executive Chairman Eric Schmidt declined to forecast that Internet video will displace television watching. Instead he declared: “That’s already happened.”

Schmidt says “the future is now” for YouTube, which recently passed the milestone of one billion unique visitors every month. But, he adds, if you think that’s a large number, “wait until you get to six or seven billion.”

YouTube billed the event, which was part of a week of digital media “NewFronts,” as a “brandcast.” YouTube presented itself as a new video entity unlike TV, one with global reach, community engagement and more 18- to 34-year-olds than any cable network.

source: technology.inquirer.net


Monday, April 8, 2013

With viewers increasing, Hispanic TV networks drawing more than passing interest from advertisers


In “El Capo 2,” one of the first original shows on new U.S. Spanish-language network MundoFox, a Colombian drug kingpin fights off challenges from all sides, the U.S. authorities, rival cartels in Mexico and the victims of his violence.

The show, from its origins and target audience to its plot, is emblematic of the escalating battle over Hispanic television viewers in the United States. In the world of U.S. Spanish-language television, Univision stands at the top with a majority of the audience while Telemundo nips at its heels. Other networks such as Azteca America and MundoFox are trying to carve out their own piece of the market, one that shows great potential for growth and increased interest from advertisers.

MundoFox launched in August and immediately sought to carve its own niche while challenging the traditional powers in the market, much like the Fox broadcast network did in 1986 when it went on air.

In a distinction from the popular telenovelas on market leader Univision, MundoFox airs “teleseries,” which have fewer episodes than telenovelas while emphasizing action and higher production value. “El Capo 2” was one of the first teleseries on MundoFox, which is a joint venture of Fox parent News Corp. and the Colombian broadcaster RCN Television. The first season aired in the United States on Univision’s sister network Telefutura. But under RCN’s partnership with News Corp., the popular and high-cost show moved to the upstart.

“There is an increasing demand for quality Spanish-language content in the U.S. from both viewers and advertisers,” Hernan Lopez, president and CEO of Fox International Channels, said at the announcement of MundoFox’s creation in January 2012. “Fox saw similar dynamics in play 25 years ago when it launched the Fox network, and it would be a missed opportunity not to provide an alternative for the 50-plus million Hispanic viewers who currently have limited options in Spanish-language broadcast television. Our partnership with RCN will help us do this, and we aim to do it in a big way.”

MundoFox launched in 49 markets, including Las Vegas, reaching an estimated 80 percent of U.S. Hispanic households, and has since added at least 10 more affiliates.

Not only are there more Spanish-language networks, the already-established networks are launching new channels to target specific audiences.

All of the action in television aimed at Hispanics comes with one target in mind: a piece of the $1 trillion in annual purchasing power of the U.S. Hispanic market.
Go where the growth is

Advertisers have awakened to the potential of reaching loyal viewers of Spanish-language television. In fact, ad dollars spent on Univision could pay off more than money spent on one of the major English-language U.S. networks.

Univision has been outperforming NBC in primetime viewing this season among adults 18-34. Univision is firmly entrenched as a top-five network in the United States in terms of viewers, and on some weeknights it beats more than one of the major English-language networks among adults 18-49.

While CBS, NBC and ABC all saw their total ad revenue fall from 2010 to 2011, according to Kantar Media, Univision saw an increase of 16.7 percent to about $2.18 billion, and Telemundo saw 2011 ad revenue rise 2.8 percent to about $915.4 million.

That kind of success among a relatively young and upwardly mobile demographic has caught the eyes of advertisers, networks and production companies.

The U.S. Hispanic population now stands near 50 million, and its members spend upward of $1 trillion a year, which would place the community among the top 20 economies in the world, according to a 2012 Nielsen report on Hispanic consumers. By 2015, Hispanic buying power is estimated to reach $1.5 trillion annually.

In Nevada, Hispanics account for a quarter of the population and make up half of all Clark County elementary school students. At $12 billion, the Southern Nevada market ranks 23rd in the nation for Hispanic purchasing power, according to market research firm Vision Advertising & Marketing.

Despite the down economy, U.S. Hispanic households that earn $50,000 or more annually are growing at a faster rate than total households, and the Hispanic population is expected to grow 162 percent by 2050. The total population is anticipated to grow only 42 percent. The median age of U.S. Hispanics, 27, also falls in the sweet spot of the 18-34 demographic for advertisers; the median age for non-Hispanic whites is 42.

Las Vegas’ Hispanic population does not compare to those in Los Angeles, New York or Chicago, but it is roughly a third of the population and is a fast-growing, diverse community. Las Vegas was included in MundoFox’s first list of coverage areas, and the city has affiliates for Azteca America, Telemundo and Univision.

Other Spanish-language stations available in the valley include V-me, EstrellaTV and Telefutura. The bigger networks also have sister channels such as Univision’s Galavision and UniMas, and NBC’s Mun2. National Geographic, ESPN, Discovery and Fox Sports all have Spanish-language cousins. More offerings from new and established networks are on the way. Comcast is funding a new network dubbed El Rey that will feature programming by director Robert Rodriguez.

“Las Vegas has been seen as a test market,” said Miguel Barrientos, an expert on Hispanic marketing and host of a radio program on KRLV 1340 AM. “It’s a smaller market. but it can be a good place to see how things are received, and there is room here for a lot of folks to get into the market.”

Univision pulls in big audiences for its news, variety shows and telenovelas, but competitors see an opening as the Hispanic population grows and evolves.



“The ‘New Latino’ audiences we are targeting are clearly more demanding than previous generations,” Emiliano Saccone, president of MundoFox, said in May 2012, when the network’s initial programming was announced.

“The mere fact that a program is in Spanish is not enough of a differentiator. Today’s Latino wants content that is more enriching, challenging and ‘Americano como tú’ (American like you),” he said, invoking the network’s tagline.

Besides the teleseries, which have English subtitles, MundoFox has a version of the game show “Minute to Win It” and also carries UFC fights and programming.

But Univision is not simply sticking with the hand it’s currently holding while Telemundo, MundoFox and others try to siphon off viewers.

Univision, which was founded in 1962 and for two decades was the only national Spanish-language network, has entered into distribution deals with Hulu and Microsoft Xbox. In October, Univision and ABC announced they were partnering on a new cable channel aimed at Hispanics. The English-language channel, called Fusion, is scheduled to launch late in 2013. Sandra Tomas Esquivel, Univision’s senior director for affiliate and local news, said Fusion would target the “bilingual population that leans more toward English than Spanish.”

“We are expanding our social media platforms at Univision media, and with Fusion we expect to grab the segment of our audience that leans toward English-language television,” Esquivel said. “They have strong ties to our culture and our heritage, and it’s going to be something attractive for them – especially for younger viewers that grew up in the United States.”



In one example of Spanish-language networks looking at their audience in new ways, Univision and NASCAR are co-producing a telenovela about a Hispanic female race car driver torn by her love for two other racers. The series airs online before making it onto the network.

More options for viewers and advertisers

Ray Garza, owner and head of Las Vegas’ Diversity Agency, said that 20 years ago it was hard convincing many businesses that advertising to Hispanics was worth the expense. Today, business owners are coming to him asking about how they can tap the market.


“I was in Los Angeles 20 years ago, and nobody was buying Spanish media spots," Garza said. “Now it’s more competitive than mainstream media. Spanish media costs more than mainstream in L.A. now. That will happen (in Las Vegas), as well.”

The increased competition means more content and options for viewers, and more points of entry for advertisers.

“The Hispanic market is ripe, low-hanging fruit,” Garza said. “The harvest is there. Businesses just have to be smart enough to allocate the commitment of money, staff and time to see results.

During the 2012 election season, Univision again flexed its muscle, scoring interviews with President Barack Obama and Republican challenger Mitt Romney. Spanish-language network news played a more prominent role than ever, which meant more campaign ad dollars. Garza and Barrientos said MundoFox would be wise to expand its news offerings.

“A local news show would be such as big plus for MundoFox,” Garza said. “If MundoFox jumps in to be a local news company and parallel what Fox did with its earlier time slots, I think they will get a lot of attention.”

Telemundo and Univision are the only Spanish-language stations in Las Vegas with a local news broadcast. However, MundoFox launched with a national news show and the affiliate in Las Vegas, KMCC, said it planned to have a local news team in place by June.

It’s a top priority for station manager Patrice Donely, who agreed local news would help increase KMCC’s presence and visibility in the community.

MundoFox and other smaller networks can be more accessible to smaller businesses and those that have not tackled the Hispanic market previously. Univision and Telemundo’s ad rates can be two or three times higher than Azteca America or MundoFox’s.

“At this point it’s all about cost,” Barrientos said. “The local businesses that can’t be on Univision because of the price scale can do MundoFox.”

KMCC had one ad sales agent before switching its affiliation to MundoFox last year but is now looking to hire three or four more, Donely said.

“There are definitely people out there now that don’t speak Spanish, but they want to tap the Hispanic market and we can be that bridge,” Donely said. “We help them walk over the bridge in a culturally appropriate way. Some sponsors just want to dub over their English-language ads, and that’s not always culturally appropriate.”

Before MundoFox, KMCC ran programming from the small network VasalloVision, which folded in 2012. Donely said it had been “looking for a MundoFox” to come along.

“It was just a great opportunity,” Donely said. “Fox, as a company, just doesn’t lose. When they first started, people said they couldn’t compete, but they grew and went out and got football and look at them now. We think they can do the same thing in the Hispanic market.”

While Univision fights to keep its place at the top, and MundoFox claws for market share as the newcomer with deep pockets, Telemundo, which is rolling out new, original content produced in the United States, may be the darkhorse for future success.

“I think NBC and Telemundo are poised for the future,” Barrientos said. “They are going into the younger Latino market and they are tapping into English dominant and bilingual Latinos. I think Mun2 programming, the reality shows, the bilingual and ‘Spanglish’ programs attract the younger market. That’s something we don’t see with Univision. They are sticking more to the Spanish-language programming and trying to control the market with that.”

source: lasvegassun.com

Monday, April 1, 2013

YouTube announces shutdown in April Fool’s prank


WASHINGTON – In an elaborate April Fool’s prank, YouTube announced Sunday it was going dark for a decade, and that the site was merely an eight-year contest to find the best video.

“It’s finally time to pick the winner,” YouTube representatives announced in a 3:32 minute video posted on its homepage.


The message was simple: the world’s most popular video-sharing website would close at the end of the day to review all the video submissions it has received over the years, and would announce the best one in 2023.

“We are so close to the end. Tonight at midnight, youtube.com will no longer be accepting entries. After eight amazing years, it is finally time to review everything that has been uploaded to our site and begin the process of selecting a winner,” said Tim Liston, named as “competition director.”

YouTube CEO Salar Kamangar said that “we started YouTube in 2005 as a contest with a simple goal: to find the best video in the world.”

Users have uploaded more than 70 hours every minute to the site, YouTube estimated.

“I encourage everybody to watch as many videos as possible before YouTube deletes everything tonight,” said Antoine Dodson, who became an Internet sensation when a musical version of his 2010 TV interview about a house intrusion was posted on YouTube.
“Distinguished” film critics, YouTube celebrities and some of the site’s “most prolific” commentators are on the judges’ panel, according to Liston.

The Google-owned online video sharing venue said less than two weeks ago that more than a billion people now use YouTube each month, with viewing on smartphones helping drive growth.

The YouTube team noted that nearly one out of every two people on the Internet visits the website, which has grown into a global hit since its launch.

Google bought YouTube in 2006 for $1.65 billion and has yet to disclose whether the service has turned a profit.

YouTube has gradually added professional content, such as full-length television shows and movies to its vast trove of amateur video offerings in a bid to attract advertisers.

source: technology.inquirer.net