Showing posts with label Spotify. Show all posts
Showing posts with label Spotify. Show all posts

Wednesday, March 9, 2022

Music streaming service Spotify inexplicably down

Swedish streaming service Spotify was offline for an unknown reason on Tuesday, the company said, as millions of users worldwide reported they had been logged out and were unable to log back on.

"Something's not quite right, and we're looking into it. Thanks for your reports!" the company wrote on Twitter.

Millions of users posted on Twitter about their problems connecting to the app.

Spotify did not respond immediately to AFP's request for a comment.                                                                       


The company has more than 400 million active users, including 180 million paying subscribers.

Agence France-Presse


Thursday, February 20, 2020

Spotify begins rolling out music-synced lyrics on select tracks


On Wednesday, Android Police reported that Spotify has begun rolling out complete song lyrics synced with music. It’s better late than never.

For a while, Spotify has displayed short sections of lyrics synced-up with music before disappointingly swapping the on-screen text out for fun facts, a.k.a. “Behind the Lyrics” notes, about the artist or track. Yesterday, however, Android Police reported that users across the world are gaining access to complete sets of lyrics for select songs.


These words are provided by Musixmatch, a service that had been previously used to overlay track lyrics atop the Spotify application. Now, some users can simply swipe up on the display when the Spotify mobile app is open to access complete lyrics, which scroll on the screen with the music; previously, the “Behind the Lyrics” section had been located here.

So far, this feature hasn’t rolled out to everyone, but it has made it to a handful of smartphones worldwide indicating that a global launch is underway. JB

technology.inquirer.net

Tuesday, October 8, 2019

Goodbye, iTunes: Once-revolutionary app gone in Mac update


SAN FRANCISCO — It’s time to bid farewell to iTunes, the once-revolutionary program that made online music sales mainstream and effectively blunted the impact of piracy.

That assumes, of course, that you still use iTunes — and many people no longer do. On iPhones, the functions have long been split into separate apps for music, video and books. Mac computers follow suit Monday with a software update called Catalina.


Music-subscription services like Spotify and Apple Music have largely supplanted both the iTunes software and sales of individual songs, which iTunes first made available for 99 cents apiece. Apple is now giving iTunes its latest push toward the grave. For anyone who has subscribed to Apple Music, the music store will now be hidden on the Mac.

Sidelining the all-in-one iTunes in favor of separate apps for music, video and other services will let Apple build features for specific types of media and better promote its TV-streaming and music services to help offset slowing sales of iPhones.

In the early days, iTunes was simply a way to get music onto Apple’s marquee product, the iPod music player. Users connected the iPod to a computer, and songs automatically synced — simplicity unheard of at the time.

“I would just kind of mock my friends who were into anything other than iPods,” said Jacob Titus, a 26-year-old graphic designer in South Bend, Indiana.


Apple launched its iTunes Music Store in 2003, two years after the iPod’s debut. With simple pricing at launch — 99 cents a single, $9.99 for most albums — many consumers were content to buy music legally rather than seek out sketchy sites for pirated downloads.

But over time, iTunes software expanded to include podcasts, e-books, audiobooks, movies and TV shows. In the iPhone era, iTunes also made backups and synced voice memos. As the software got bloated to support additional functions, iTunes lost the ease and simplicity that gave it its charm.

And with online cloud storage and wireless syncing, it no longer became necessary to connect iPhones to a computer — and iTunes — with a cable.

Titus said he uses iTunes only to hear obscure Kanye West songs he can’t find streaming. “At the time it seemed great,” he said. “But it kind of stayed that same speed forever.”

The way people listen to music has changed, too. The U.S. recording industry now gets 80% of revenue from paid subscriptions and other streaming. In the first half of 2019, paid subscriptions to Apple Music and competing services rose 30% from a year earlier to 61 million, or $2.8 billion, while revenue from digital downloads fell nearly 18% to $462 million.

“The move away from iTunes really does perfectly mirror the general industry move away from sales” and toward subscriptions, said Randy Nelson, head of insights at Sensor Tower.

Rachel Shpringer, a 35-year-old patent agent in Los Angeles, spent years curating playlists on iTunes. But over time, she realized that was cutting her off from new music. She now gets music through a SiriusXM subscription.

The Mac’s new Music app, which gets the old iTunes icon, is the new home for — drum roll — music. That includes songs previously bought from the iTunes store or ripped from CDs, as well as Apple’s free online radio stations. It’s also the home for Apple’s $10-a-month music subscription.

Apple Music subscribers will no longer see the iTunes music store, unless they restore it in settings. Non-subscribers will see the store as a tab, along with plenty of ways to subscribe to Apple Music. (On iPhones, iTunes Store remains its own app for buying music and video.)

The iTunes store for TV shows and movies will still be prominent on Macs, though now as part of the TV app. Video available to buy or rent will be mixed in with other movies and shows — including exclusive offerings through Apple TV Plus.

The new Podcasts app gets a feature that indexes individual episodes, so you can more easily search for actors or fads that don’t appear in the podcast’s text description. The Mac previously got separate apps for voice memos and books, including audiobooks. The iPhone syncing and backup functions traditionally found in iTunes have been incorporated into the Mac’s navigation interface, Finder.

source: technology.inquirer.net

Friday, November 2, 2018

Spotify earnings hit sour note on Wall Street


Spotify shares took a hit Thursday after a disappointing growth outlook offset the first-ever quarterly profit posted by the streaming music sector leader.

Shares in the Swedish-based music group slid 5.7 percent to close at $141.16 after the company’s third quarter earnings report.


 

 Spotify said the number of paid “premium” subscribers rose to 87 million in the quarter, and it posted a first-ever profit of 43 million euros ($49 million) as a result of a tax adjustment.

Total revenue was $1.35 billion, up 31 percent from a year ago, largely in line with forecasts.

But Spotify’s growth outlook was weaker than expected, forecasting revenue increases of between 18 and 35 percent in the coming quarter.

It said it expected total users to rise 24 to 29 percent to between 199 and 206 million, with premium subscriptions growing to between 90 and 96 million.

Jeff Wlodarczak of Pivotal Research said he remained positive on Spotify despite the “modest reduction” in the outlook.

“Ultimately, we expect most consumers to move to subscription streaming all-you-can-eat model for music consumption,” the analyst said in a research note.

“While clearly there are risks to the Spotify story (mainly around Apple and to a lesser extent Google in streaming) the reality is that we are still in the early days of streaming,” Wlodarczak added.

“Spotify operates what we view as the most attractive streaming service with a heavy investment in discovery differentiating the service.”

Spotify is in fierce competition with its rivals offering both subscription-based and ad-supported music services.

These include Apple, Google-owned YouTube and Pandora, which is being acquired by SiriusXM.

Apple, set to release its quarterly results later Thursday, has most recently said it has 50 million subscribers for its music service.

Spotify said this week it would offer US premium subscribers a free Google Home Mini to enable them to listen more easily in their homes, a move expected to cut into its revenues. CC

Agence France-Presse 

Thursday, May 22, 2014

Eminem tops Spotify’s 40-million-listener list


STOCKHOLM—US rapper Eminem is the most played artist on the world’s biggest music streaming service Spotify, the Swedish company said Wednesday, announcing it had reached ten million premium users.

Spotify launched in 2008 and now has 40 million active users in 56 countries, three quarters of whom use the free service rather than the paid-for subscription.

That compares to the 24 million active users, including around six million premium customers, the company reported in April 2013.

Spotify’s catalogue is one of the widest available on streaming services, but Eminem did not have to face the stiff competition of The Beatles, who were still not available in the Swedish company’s offer.

Despite being released in June 2013, the most played song since the creation of Spotify six years ago was “Wake Me Up” by Swedish artist Avicii.

The most popular female artist was Rihanna.

Spotify discreetly publishes its financial results from Luxemburg, where it is headquartered.

In its latest report for fiscal year 2012, published last year, the company reported net losses of 58.7 million euros ($80.2 million) and a 434.7-million-euro revenue.

In its statement on Wednesday, the group also revealed that “more than one billion dollars” had been payed to the copyright holders since 2000, roughly double the amount paid a year earlier.

source: entertainment.inquirer.net

Thursday, May 1, 2014

Spotify’s Top 10 most viral tracks


The following list represents the most viral tracks on Spotify, based on the number of people who shared it divided by the number who listened to it, from April 21, to April 27, via Facebook, Tumblr, Twitter and Spotify.









United States

  
1. Jack White, “Lazaretto” (Third Man/Columbia)

2. Tiesto, “Wasted” (Casablanca Records)

3. Future, “Bez Friendz (Watchutola)” (Epic Records)

4. Kygo, “I See Fire” (Kygo)

5. Ellie Goulding, “Goodness Gracious – The Chainsmokers Remix” (Polydor UK)

6. Steve Aoki, “Rage the Night Away” (Ultra Records)

7. Avril Lavigne, “Hello Kitty” (Epic Records)

8. Sam Smith, “Latch – Acoustic” (Capitol Records)

9. Iggy Azalea, “(asterisk)(asterisk)(asterisk)(asterisk) Love” (Virgin EMI Records)

10. MØ, “Say You’ll Be There” (RCA Records)

United Kingdom 


1. Jack White, “Lazaretto” (Third Man/Columbia)

2. Royal Blood, “Come On Over” (Warner Bros. Records)

3. Avril Lavigne, “Hello Kitty” (Epic Records)

4. Mr. Probz, “Waves – Robin Schulz Radio Edit” (Ultra / Sony Music Entertainment Netherlands B.V.)

5. Future, “Bez Friendz (Watchutola)” (Epic Records)

6. Milky Chance, “Down By the River” (Ignition Records)

7. Lewis Watson, “Stay” (Warner Bros. Records)

8. Jamie xx, “Sleep Sound” (Young Turks)

9. First Aid Kit, “My Silver Lining” (Columbia)

10. Kyla La Grange, “Cut Your Teeth – Kygo Remix” (ioki Records)

Global

1. Caparezza, “Mica Van Gogh” (UMG)

2. Jack White, “Lazaretto” (Third Man/Columbia)

3. Tiesto, “Wasted” (Casablanca Records)

4. Future, “Bez Friendz (Watchutola)” (Epic Records)

5. Caparezza, “Avrai Ragione Tu (Ritratto)” (UMG)

6. Idina Menzel, “Let it Go” (Walt Disney Records)

7. Enrique Iglesias, “Bailando” (Universal Music Spain S.L.)

8. Avril Lavigne, “Hello Kitty” (Epic Records)

9. Iggy Azalea, “Black Mambo” (Virgin EMI Records)

10. Bob Dylan, “Hurricane” (Columbia)

source: entertainment.inquirer.net

Thursday, April 4, 2013

More money made from digital royalties than radio for first time



Digital music royalties, from services such as iTunes and Spotify, have overtaken radio royalties for the first time.

PRS For Music have published figures showing that not only have digital music royalty revenues overtaken radio, but that they are growing faster than any other area. While traditional broadcast media showed only 3.1% growth, UK digital revenues increased by 32.2%.

The figures also showed that digital music players are actually the biggest source of income for singer-songwriters in the UK - as opposed to playing gigs at pubs and other live events.

Robert Ashcroft, CEO of PRS for Music said, "Copyright remains fundamental to the continued success of our members both at home and abroad, while the ever-increasing importance of licensed online services such as Itunes and Spotify underlines the value of music to the internet economy."

The Olympics meant that revenue royalties from live events fell drastically, particularly as Glastonbury did not take place last year, as they were 14.2% less than in 2011. However, with Glastonbury returning and Hyde Park planning a series of gigs, this is likely to see an increase in 2013.




The biggest source of income for UK music creators is international licensing revenue, even though it has fallen by 4% - as British artists such as Adele and Mumford & Sons helped contribute to a total of £180.1m.

Fortunately, the age of annoying mobile phone ringtones seems to be at an end. While five years ago, the revenue on ringtones was at £5.7m, it has now fallen to £900,000.


source: gigwise.com


Saturday, April 28, 2012

Spotify Reportedly Developing Online Radio Competition For Pandora

Spotify, the music streaming service that has taken the United States by storm, is reportedly in the process of creating their own Internet radio service that would compete with current giant Pandora, according to a Bloomberg report.

The report suggests that the new service from Spotify is expected to launch sometime before 2013 and will be an ad-supported website. Spotify has reportedly already begun discussions with music companies to secure deals for the new service.

If you’ve been left in the dark on Spotify, the music streaming program had been a huge hit overseas for several years before finally hitting stateside shores in July of last year and has slowly generated a solid user base.

The company currently boasts 10 million active users with 3 million of them subscribing to the service rather than opt for the free ad-supported version. The large number of users has shot the company’s value to upwards of $3.5 billion.

Spotify’s new service would have to compete with current online streaming radio behemoth Pandora, which has long been the stream of choice for its ability to help you discover new bands that you’re likely to dig.

To put into perspective the stranglehold that Pandora already has, the company’s active listener base swelled in March to 51 million. The radio service currently streams over one billion listener hours every month, which is up an impressive 88 percent from the same time last year.

Spotify is keeping its lips sealed and said there is “no announcement at this time” when questioned.

source: http://newsroom.mtv.com/2012/04/26/spotify-reportedly-developing-online-radio-competition-for-pandora/