Showing posts with label Dakota Johnson. Show all posts
Showing posts with label Dakota Johnson. Show all posts
Tuesday, February 9, 2016
Dakota Johnson, curious and looking for love in ‘How To Be Single’
She has become one of Hollywood’s fastest-rising stars after landing the coveted role of Anastasia Steele in the box office record-smashing “Fifty Shades of Grey” for which she received a BAFTA Rising Star Award nomination.
Now, Dakota Johnson headlines New Line Cinema’s romantic comedy “How to Be Single,” based on the book by Liz Tucillo (TV’s “Sex & the City”). Also starring Rebel Wilson and Leslie Mann, the film follows a host of singles at various stages of—and with varying opinions on—the single state.
Returning to her comedy roots, Johnson deftly handles her character, Alice’s fumbling attempts to meet men upon finding herself newly single, especially when paired with Rebel Wilson’s extreme party girl, Robin, the perfect tour guide through the world of free drinks, hook-ups and text message protocol.
Just out of college, Alice is worried she’s missing out—on what, she’s not quite sure, but taking a “break” from longtime boyfriend Josh in order to make sure he’s the one is the right thing to do…isn’t it?
“How to Be Single” takes us along with Alice as she ventures into a new job, a new city—New York—a newly unattached life, and all that goes along with it. Johnson says, “I loved how believable the story was—we’ve all been that person who is stumbling through, trying to figure things out.”
Screenwriter Dana Fox, who worked with Johnson previously, was happy to see the actress go back to a comedic role after several more dramatic parts. “Dakota is just naturally talented, especially when it comes to comedy, both physical and verbal,” she states. “As a writer, it’s such a pleasure for me to work with her again, because nothing comes out feeling ‘written.’”
When we first meet her character, Johnson observes, “She is sort of this doe-eyed, curious young woman starting college. She meets a boy right away and is quickly in a comfortable and nurturing relationship.”
Fast forward four years. “Like so many of us, Alice has always depended on someone, whether it’s her parents, her sister or her boyfriend. Suddenly, she has this profound moment of realization and forces herself into what she thinks is an awakening, but which is really just a break up,” the actress acknowledges. “But taking a break turns into a total explosion of life as she knows it, and now she has to figure out how to handle it.”
After persuading her very serious boyfriend she needs to experiment with being on her own, Alice heads to Manhattan to start a new job as a paralegal. “Right away, she falls into the hands of Robin, who’s kind of insane,” Johnson laughs. “Alice has been sheltered and established a lot of boundaries for herself; Robin has zero boundaries and doesn’t care what anyone else thinks of her, so long as she’s having fun.”
The role of Alice required a convincing amount of girl-next-door naiveté in order for moviegoers to slip into her shoes, or at least remember a time when they did. Director Christian Ditter found Johnson to be “absolutely gorgeous but at the same time completely relatable. She’s talented and gives a very authentic performance, which makes it easy for the audience to see themselves in her place. She grounds the story for all the other characters, who are much more outrageous.”
“How to Be Single” is opening across the Philippines on Thursday, Feb. 11.
source: entertainment.inquirer.net
Thursday, March 26, 2015
‘Fifty Shades’ director Taylor-Johnson bows out of franchise
LOS ANGELES — Sam Taylor-Johnson will not be returning to direct the sequels to “Fifty Shades of Grey,” she announced Wednesday night.
“Directing ‘Fifty Shades of Grey’ has been an intense and incredible journey for which I am hugely grateful,” she said in a statement to industry site Deadline in which she thanked Universal Pictures.
Taylor-Johnson’s $40 million adaptation of author E L James’ erotic novel has grossed a staggering $558 million worldwide in just six weeks in theaters, but even before the film debuted, rumors circulated that she would not likely be the person ushering “Fifty Shades Darker” and “Fifty Shades Freed” to the big screen.
Stars Dakota Johnson and Jamie Dornan are expected to return for both sequels, which have yet to be officially announced.
While it is nothing new for directors to exit franchises after the first film — “Twilight,” ”The Hunger Games,” and “Divergent” all made directing changes between their first and second installments — Taylor-Johnson and James’ fraught on-set relationship was widely reported.
Earlier this year, James, also a producer on the film, alluded to their conflicts, telling The Associated Press that she “had to fight for a lot of things really hard,” which included a disagreement over the last line of the film.
Still, in her statement, Taylor-Johnson made sure to note the “close and lasting relationships” she formed with the cast, producers, crew and “most especially, with Dakota and Jamie.”
She added: “I wish nothing but success to whosoever takes on the exciting challenges of films two and three.”
A representative for Universal Pictures had no comment.
source: entertainment.inquirer.net
Monday, February 16, 2015
‘Fifty Shades’ whips up $81.7 million in US box office
LOS ANGELES, United States — Audiences were more than curious to check out the big-screen adaptation of the racy phenomenon “Fifty Shades of Grey” this weekend. The erotic drama sizzled in its debut, earning an estimated $81.7 million from 3,646 theaters in its first three days, distributor Universal Pictures said on Sunday.
In addition to destroying Valentine’s and Presidents Day weekend records, “Fifty Shades of Grey” has also become the second-highest February debut ever, behind “Passion of the Christ’s” $83.9 million opening in 2004.
The chart-topping film cost a modest $40 million to produce. Starring Dakota Johnson and Jamie Dornan as Anastasia Steele and Christian Grey, it could be on track to earn over $90 million across the four-day holiday weekend.
“Our fondest wishes were realized,” said Universal’s President of Domestic Distribution Nick Carpou. “This is one of those moments where I can speak for the entire studio and say we’re celebrating.”
Carpou was especially pleased that audiences in large, mid-size, and small markets turned out to see the film despite severe weather challenges in the Northeast.
“We had a tremendous amount of interest from small-town exhibitors,” said Carpou, noting strong outings in the South. “That speaks to their patrons really wanting to see the film as soon as possible and be part of what everyone is talking about.”
According to Universal, North American audiences were 68 percent female.
Internationally, director Sam Taylor-Johnson’s adaptation of British author E L James’ book earned an estimated $158 million from 9,637 locations in 58 territories. That’s the second biggest international opening for Universal, right behind the $160.3 million debut from “Fast & Furious 6,” and the highest international opening for an R-rated film ever.
“Those are summer-style blockbuster numbers in February,” said Paul Dergarabedian, senior media analyst for box office firm Rentrak.
“Controversy, or at least the conversation that’s created by ‘Fifty Shades of Grey,’ suddenly infuses this movie into the mainstream conversation,” he added. “They had to very carefully create a movie that was edgy, push the envelope, but without going too far to make it socially unacceptable.”
Director Matthew Vaughn’s “Kingsman: The Secret Service” also exceeded expectations, landing in second place with an estimated $35.6 million from 3,204 locations across the three-day period, according to Rentrak.
The R-rated comic book adaptation starring Colin Firth and Samuel L. Jackson cost a reported $81 million to produce and should earn around $41 million across the four-day period.
Animated children’s film “The SpongeBob Movie: Sponge Out of Water” came in third with $30.5 million in its second weekend in theaters, falling only 45 percent. As one of the few family-friendly options in theaters, Paramount’s PG-rated movie could pass $100 million by the end of the holiday weekend.
Rounding out the top five were holdovers “American Sniper,” with $16.4 million, and “Jupiter Ascending,” with $9.4 million.
The Oscar-nominated “American Sniper,” now in its fifth weekend of wide release, has earned over $300 million in North America to date.
“We should learn in 2015 to not underestimate how well films can do,” Dergarabedian said. “Coming off a 2014 where we were down 5.2 percent, where a lot of movies did not live up to expectations, 2015 is right now running like a freight train toward the first $11 billion year in North America.”
Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Rentrak. Where available, the latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Tuesday.
“Fifty Shades of Grey,” $81.7 million ($158 million international).
“Kingsman: The Secret Service,” $35.6 million ($23.1 million international).
“The SpongeBob Movie: Sponge Out of Water,” $30.5 million ($13.5 million international).
“American Sniper,” $16.4 million ($3.7 million international).
“Jupiter Ascending,” $9.4 million ($15.6 million international).
“Seventh Son,” $4.2 million ($730,000 international).
“Paddington,” $4.1 million.
“The Imitation Game,” $3.5 million ($4 million international).
“The Wedding Ringer,” $3.4 million.
“Project Almanac,” $2.7 million ($340,000 international).
___
Estimated ticket sales for Friday through Sunday at international theaters (excluding the U.S. and Canada), according to Rentrak:
“Fifty Shades of Grey,” $158 million.
“Somewhere Only We Know,” $30 million.
“Kingsman: The Secret Service,” $23.1 million.
“Jupiter Ascending,” $15.6 million.
“The SpongeBob Movie: Sponge Out of Water,” $13.5 million.
“Big Hero 6,” $9.2 million.
“Taken 3,” $7.1 million.
“Night at the Museum: Secret of the Tomb,” $6.7 million.
“Detective K: The Laborer’s Daughter,” $6.2 million.
“Penguins of Madagascar,” $4.1 million.
source: entertainment.inquirer.net
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