Showing posts with label Netflix. Show all posts
Showing posts with label Netflix. Show all posts

Tuesday, April 25, 2023

Netflix to invest $2.5 billion in South Korean content

SEOUL — Netflix will invest $2.5 billion in South Korean content over the next four years, the streaming giant's CEO Ted Sarandos announced after meeting with the country's President Yoon Suk Yeol in Washington.

South Korea has cemented its status as a global cultural powerhouse in recent years, thanks in part to the explosive success of the Oscar-winning film "Parasite" and the hit Netflix series "Squid Game".

"Netflix is delighted to confirm that we will invest USD 2.5 billion in Korea including the creation of Korean series, films, and unscripted shows over the next four years," Sarandos said in a statement given to AFP Tuesday.

"This investment plan is twice the total amount Netflix has invested in the Korean market since we started our service in Korea in 2016."

Sarandos said that Netflix had "great confidence" that South Korea's creative industry would continue to tell great stories, pointing to the recent success of global hits such as "The Glory" and the reality show "Physical 100".

"It is incredible that the love towards Korean shows has led to a wider interest in Korea, thanks to the Korean creators' compelling stories. Their stories are now at the heart of the global cultural zeitgeist," he added.

Over the last few years, South Korean content has taken the world by storm, with over 60 percent of Netflix viewers watching a show from the East Asian country in 2022, company data showed.

Netflix, which spent more than 1 trillion won ($750 million) developing Korean content from 2015 to 2021, had previously said it would be expanding its South Korean show output, without giving details of spending plans.

Yoon, who arrived in Washington Monday for a six-day state visit, hailed what he described as a "very meaningful" meeting with Sarandos, according to a transcript shared with AFP by the president's office.

Yoon said the new investment "will be a great opportunity for the Korean content industry, creators, and Netflix. We sincerely welcome Netflix's exceptional investment decision."

Yoon's is set to meet US President Joe Biden Wednesday, with his visit coming as the allies move to bulk up military cooperation over North Korea's expanding nuclear threats.

Pyongyang has conducted another record-breaking string of sanctions-defying launches this year, including test-firing North Korea's first solid-fuel ballistic missile this month -- a key technical breakthrough for its military.

In response, Yoon has pulled South Korea closer to long-standing ally Washington, and the trip has a packed schedule including the summit with Biden, where the pair will celebrate 70 years of ties.

Yoon was also accompanied by more than 120 South Korean business leaders, including Samsung chairman Lee Jae-yong, and the visit could address their concerns over Biden's Inflation Reduction Act.

Analysts have said that the trip going well is particularly important for Yoon, who is eager to boost his low domestic approval ratings especially in the realm of foreign policy.

Agence France-Presse

Wednesday, August 4, 2021

Sony posts record Q1 profit on pandemic demand for devices and content

TOKYO - Sony Corp raised its earnings outlook on Wednesday after a record first-quarter operating profit helped by pandemic stay-at-home demand for PlayStation 5 consoles, TVs, music and movies.

Operating profit for the quarter ended June 30 rose to 280.1 billion yen ($2.57 billion) from 221.7 billion yen a year earlier, topping the 207.96 billion expected by 10 analysts, Refinitiv Eikon data showed.

It raised its profit forecast for the year through March 2022 to 980 billion yen from 930 billion, bringing it closer to the 1 billion yen average estimate from 25 analysts.

Sony had expected growing pandemic demand for its devices and content to wane as coronavirus lockdowns eased, but with fresh waves of COVID-19 infections sweeping the world, restrictions are still common.

A shortage of semiconductors, however, which is also affecting the likes of Apple, means it cannot produce enough PlayStation games consoles to meet demand.

Those supply-chain constraints could also affect the production of other consumer electronic devices, Chief Financial Officer Hiroki Totoki told a news briefing after Sony's results.

"We use a lot of semiconductors and it is a source of concern," Totoki said. "We can't become complacent," he added.

Sony in May said it expected to sell 14.8 million PS5 units this fiscal year. Launched in core markets in November 2020, the console, which sells for as much as $500, quickly sold out.

Sony has secured enough chips to achieve that production target, Totoki said.

Sony sees the game console as a way to connect its traditional consumer electronics with its growing content business by encouraging online game downloads and sign-ups for subscription services.

As it streamlines its consumer electronics business, Sony is beefing up its entertainment content and distribution business. In December it agreed to buy AT&T Inc's T.N animation business Crunchyroll with 3 million subscribers worldwide.

In June it bought Housemarque, a Finnish game software maker. I

Sony also increasing movie offerings on streaming services offered by Walt Disney Co and Netflix as the pandemic delays movie theatre releases.

Higher production costs, however, dented profitability, the company said.

In May, the company indicated that it would continue to expand its content business through acquisition when it said it would spend 2 trillion yen over the next three years on strategic investments, including a push to expand subscribers to its gaming and entertainment services.

In its financial division, Sony posted a 16.8 billion yen one-time loss resulting from an unauthorized fund transfer at a Bermuda subsidiary, SA Reinsurance, in May.

The company said it reported the payment to local authorities and was trying to recover the money.

-reuters-

Monday, May 17, 2021

AT&T to merge WarnerMedia with Discovery: reports

WASHINGTON - US telecommunications giant AT&T could announce as soon as Monday a merger between its WarnerMedia unit -- which owns CNN and HBO -- and Discovery media, media reports said.

The new entity is expected to be owned by AT&T and Discovery, according to a CNBC report, but no details were immediately released. 

Bloomberg, citing people with knowledge of the matter, reported a deal "could be announced announced as soon as this week."

Contacted by AFP, neither AT&T, WarnerMedia, or Discovery had responded on Sunday evening.

The transaction could create a giant able to compete with Netflix and Disney+, which have seen their number of subscribers surge during the pandemic. 

A slowdown in the growth of the Disney empire's streaming platform between January and March, however, made investors fret and caused the group's shares to plunge last week. 

AT&T bought Time Warner in 2018 for $80 billion, then renamed it WarnerMedia, which owns HBO, Warner Bros. studios and cable channels such as CNN. 

Discovery has channels in 220 countries, according to its website. 

WarnerMedia had net sales of $30.4 billion in 2020, and Discovery -- which owns Eurosport -- of $10.7 billion.

Agence France-Presse

Wednesday, April 21, 2021

Netflix subscriber growth slows after pandemic boom, shares fall 11%

Netflix Inc fell short of Wall Street's projections for new customers in the first quarter, the company said on Tuesday, sending shares down 11%.

Roughly 3.98 million people signed up for Netflix from January through March, below the 6.25 million average projection of analysts surveyed by Refinitiv.

Netflix forecast just 1 million new streaming customers in the second quarter. Analysts had expected a forecast of nearly 4.8 million.

Shares of Netflix, the world's largest streaming service, sunk 11% in after-hours trading to $489.28.

A year ago, Netflix added a staggering 15.8 million customers as the pandemic forced people around the world to stay home. The company said on Tuesday that the pandemic had brought in a record number of customers in 2020 but also hindered production of new programming.

"These dynamics are also contributing to a lighter content slate in the first half of 2021, and hence, we believe slower membership growth," the company said in its quarterly letter to shareholders.

Rival media companies have declared streaming their priority and are spending billions to compete with Netflix. Walt Disney Co's Disney+ crossed 100 million subscribers in March.

Netflix said it did not believe competition changed materially in the quarter or impacted its new sign-ups "as the over-forecast was across all of our regions."

During the quarter, Netflix lost one of its most popular titles when workplace comedy "The Office" moved to Comcast Corp streaming service Peacock.

Netflix also raised its monthly rates in Britain, Germany, Argentina and Japan during the quarter.

Excluding items, the company earned $3.75 per share, beating analyst estimates of $2.97 per share.

Revenue rose to $7.16 billion from $5.77 billion during the quarter, edging past estimates of $7.13 billion.

Net income rose to $1.71 billion, or $3.75 per share, from $709 million, or $1.57 per share, a year earlier. (Reporting by Lisa Richwine and Chavi Mehta in Bengaluru; Editing by Arun Koyyur and Lisa Shumaker)

-reuters

Wednesday, June 19, 2019

Netflix announces 2 more seasons of ‘Queer Eye’


Netflix’s show “Queer Eye” is bringing fabulousness to the masses for two more seasons.

The streaming service announced Tuesday, June 18, that the fourth season will debut July 19. The eight episodes were shot in the Kansas City area, where last season the stars revamped a prison guard, a children’s camp program director and two sisters who own a barbecue joint.

Netflix also said production will begin soon in Philadelphia for the fifth season, which will be released next year.

The show features resident fashion expert, Tan France, along with food guru Antoni Porowski, hairstylist Jonathan Van Ness, culture expert Karamo Brown and home designer Bobby Berk. The Emmy-winning show is a reboot of the 2003 series “Queer Eye for the Straight Guy”. HM/NVG

source: entertainment.inquirer.net

Friday, March 8, 2019

iPhone Sales Are Falling, and Apple’s App Fees Might Be Next


SAN FRANCISCO (AP) — Last year, every time someone paid $11 for Netflix through an iPhone app, Apple pocketed as much as $3.30. Multiply that by every charge made through iPhone apps and you can see why Netflix and other companies are fed up about what they consider Apple’s unfair market power.

Late last year, Netflix rebelled against Apple’s fees, which can range from 15 percent to 30 percent. Analysts fear other companies may follow. And attorneys representing consumers in a pending Supreme Court case charge that Apple is an unfair monopolist in the market for iPhone apps. An adverse decision in that case could open a legal door that might eventually force Apple to cut its generous commissions.

That could spell more bad news for Apple, which is already reeling from a slump in iPhone sales that has knocked down its shares by 25 percent. The company has been positioning its booming digital-services business as its new profit engine. That plan could hit a snag if the app store takes a hit, since it currently generates about a third of the company’s services revenue.

Investors are now hanging onto Apple services as a “life preserver in the choppy seas” just as it’s about to float away, Macquarie Securities analyst Benjamin Schachter concluded after the Netflix move.

These app-store fees mostly hit app developers themselves, although some pass along the costs to users of their iPhone apps. Spotify, for instance, used to tack $3 onto the cost of its $10-a-month paid service — but only for users who signed up via its iPhone or iPad app.

Apple has doubled down on digital services as consumers cling to older iPhone models, hurting sales. Apple’s iPhone revenue this year is expected to drop by 15 percent from last year $141 billion, according to analysts surveyed by FactSet.

Services, by contrast, are expected to generate about $46 billion in revenue this year, according to the same survey. Schachter estimates the app store will account for $16 billion of the services revenue. By those estimates, both services and app store revenue will have doubled in just three years.

Apple didn’t respond to the AP’s inquiries about its app fees. It has previously defended the system as reasonable compensation for reviewing all apps and ensuring its store remains a safe and secure place for e-commerce. Google charges similar fees in its own app store, although its overall business isn’t as dependent on them.

Besides the app fees, Apple’s services division includes revenue from its Apple Music streaming service, iCloud storage, Apple Care, Apple Pay and ad commissions that Google pays to be the iPhone’s built-in search engine. Apple is also expected to roll out its own streaming-video service this spring, although few details are available.

The potential streaming competition from Apple may have triggered Netflix decision’s to bar customers from paying for new video subscriptions through its iPhone app. Instead, it directs users to its website, thus avoiding the extra fees. (Netflix did likewise with Google’s app store last year.)

Netflix alone won’t put a significant dent in Apple’s finances, even though it paid Apple more money last year than any other non-gaming app, according to App Annie, a firm that tracks the app market. That sum came to about $110 million, accounting for just 0.3 percent of the services division revenue, based on disclosures made in Apple’s earnings calls last year. More than 30,000 third-party apps now accept subscriptions through Apple’s store.

Netflix declined to discuss its reasons for ending new subscriptions through the app store. But its move drew more attention to an app store tax that other technology companies have already attacked as an abuse of the power that Apple has amassed since opening its app store years ago.

Almost three years ago, Spotify also stopped accepting new subscriptions through Apple’s app store. Its move followed the debut of Apple Music, which obviously doesn’t have to pay any commissions.

“They’re trying to have their cake and eat ours, too,” Spotify spokesman Jonathan Prince told The Associated Press in 2016.

“We find it bad for consumers, unfair to consumers and ultimately something that could stifle music streaming subscriptions across the board.”

Spotify regularly harps on the unfairness of Apple’s app-fee system in its securities filings. The company didn’t respond to interview requests for this story.

Few other apps reach as many customers as Netflix and Spotify, making it unlikely that the rebellion against Apple’s app store commissions will greatly swell, said Amir Ghodrati, director of market insights for App Annie.

Apple doesn’t seem to be worried. In fact, it’s reportedly demanding an even higher commission — roughly 50 percent — for a Netflix-like news service that it is trying to create with a variety of publishers, according to a recent Wall Street Journal report based on unidentified people familiar with the negotiations.

That proposal faces resistance from The New York Times, The Washington Post and other publishers who believe Apple is trying to exploit its market power to extract excessive fees.

Most app makers, however, are too worried about losing access to the app stores to speak out against the fees. Epic Games, maker of the popular Fortnite video game, has been a notable exception.

Epic CEO Tim Sweeney lashed out at app fees as a “parasitic loss ” at a video game conference 18 months ago, according to the trade publication GamesIndustry.biz. “We should be angry about this, and we should constantly be on the lookout for other solutions, and new ways to reach gamers,” Sweeney said at the time. The North Carolina company didn’t respond to interview requests.


Since then, Epic has refused to release its Fortnite app in Google’s Play store for Android phones, although it continues to offer an iPhone version. But Epic has opened its own app store for all video games built for personal computers, and only takes 12 percent of the revenue — a rate that Schachter fears Apple may eventually be pressured into adopting as well.

Sweeney broadcast a rallying cry for app maker on his Twitter account in January, not long after the news broke about Netflix abandoning Apple’s subscription system.

A 30 percent commission “completely breaks the economics of content distribution businesses like Netflix, Spotify, Kindle, and any digital stores that aim to compete,” Sweeney tweeted . “This has got to change in 2019!”

source: usa.inquirer.net