Black Sabbath drummer hints that Rage Against the Machine are recording

Black Sabbath drummer Geezer Butler may have accidentally revealed that Rage Against the Machine are working on a new album.

The band haven't released an album in thirteen years, and frontman Tom Morello recently told Billboard that they had "no plans" to record a fifth album.

However, in an interview with Metal Insider, Butler said that Rage Against the Machine drummer Brad Wilk may not be able to tour with Sabbath, as he could have other commitments.

Black Sabbath have currently been recording with both Wilk and Tommy Clufetos. When asked which drummer would be going on the road with them, Butler responded, "We're not sure yet [which drummer we will use].

He continued, "We don't know because I think Brad's got commitments with Rage Against the Machine ... It'll probably be either Tommy or Brad, depending on their commitment."

However, Wilk doesn't have any touring commitments with Rage Against the Machine, as the band don't currently have any scheduled tour dates - leading fans to speculate that they could be recording.



Rage haven't played live since November 2011 and Morello told Rolling Stone that they have no plans to do so again.

He said, "I consider them brothers and brothers-in-arms, and whether or not we ever play music again in any capacity is unknown. There's no plans, no current direction of anything."

source: gigwise.com

Audio Engineering School: A Few Pointers

Audio production has been revolutionized by new digital audio recording tools that were unimaginable only decades ago. This revolution has made the business of sound much less mechanical and much more sophisticated, changing the dynamic of the industry. Consequently, study at an audio engineering school is more important than ever for those interested in a career in audio production.

The ears hear by picking up sound waves from the air, and because we have two years positioned on opposite sides of our head we process sound in stereo. We compare the information from each ear and refine out errors in sensing to purify sound. We sense subtle differences in the relative volume between the ears to derive directionality.

Early on, both recording and playback were mechanical processes. The first recording technologies used physical changes in the grooves of a recording medium to capture sound waves. Playback systems then used those physical changes to determine which frequency to replicate and the volume to play it at.

Whether it was a recording of a sporting event, legal testimony, or a meeting, audio recordings created an absolute record of the event. That record had widespread value, perhaps nowhere more than in the entertainment industry. Music was among the first sound recorded, and the value of those recordings were quickly recognized and exploited, creating what has become a multi-billion dollar industry.

Because audio recording has historically had such value, the development of new audio recording methods has been a profitable undertaking. Consequently, audio recording media and methods have progressed rapidly, becoming more dynamic, more robust, more precise, and more sophisticated. And as new technologies have proliferated, they have also become more accessible to the masses.

With the advent of digital recording, sound moved from physical media and to the inside of a computer. By applying computer technology to sound processing, sound editing tools advanced rapidly. Now audio engineers can manipulate sound frequencies in the same way that graphic designers photoshop pictures. They can change relative volume, pitch, even smooth out a warbling tone. Whereas recording was once the theater of audio recording, now that theater has moved to the editing suite.

The final product may be demonstrably different from the original because the quality of an original recording can now be manipulated and processed. And where once technical recording skills were the most valued and critical part of creating a finished audio record, now engineering the sound has stepped into the foreground.

It is possible for anybody to create an audio record because the tools to record and edit sound are widely available. As a result, high level knowledge of the techniques and technologies that are used in the workplace today is essential for those who want to pursue a career in audio recording. A good audio engineering school provides the best way to gain that critical knowledge.

I'm a musician with a passion for writing about the best audio engineering college.

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http://www.articlebiz.com/article/1051546071-1-audio-engineering-school-a-few-pointers/

Johnny Cash's Family Kicks Off Blowout Celebration of Country Icon's 80th

On February 26th – what would have been Johnny Cash's 80th birthday – his siblings, children and grandchildren will gather at his boyhood home in Dyess, Arkansas, to celebrate the upcoming restoration of the crumbling 1930s structure. Then they will head to the town's community center to sing and share stories about the late star. "He should've lived to 80," says daughter Rosanne Cash. "It's hard. But it's so uplifting to celebrate it this way, rather than going to a dark place about how sad it is he isn't still around."

The Dyess events will kick off a busy year for the Cash estate. This summer, a separate museum will open in downtown Nashville with the most comprehensive collection of Cash artifacts ever. On April 3rd, two lost gospel albums Cash cut in the Seventies and Eighties will be released as Bootleg IV: The Soul of Truth. A few months later, Sony will put out a huge box set of everything Cash released on Sun and Columbia Records in the first three decades of his recording career, along with unreleased music. There might even be enough late-period material left in the vaults for another volume of Rick Rubin's American Recordings series, which ended in 2010. Says son John Carter Cash, "I do believe there's enough to warrant a release he would be proud of."

The Nashville museum is being organized by Bill Miller, who befriended Cash in the Seventies. Miller, who owned a historical-documents business, helped fuel Cash's hobby of collecting signed presidential papers, while Cash supplied Miller with priceless country-music history. "There were literally thousands of pieces," Miller says of the collection. "It got to a point where I was scared to leave my house." Up to a thousand items will be on display, including Cash's prized custom Gibson acoustic, a Grammy trophy, gold and platinum records, and handwritten lyrics to "Folsom Prison Blues" and "I Walk the Line."

source: http://www.rollingstone.com/music/news/johnny-cashs-family-kicks-off-blowout-celebration-of-country-icons-80th-20120224